John Phillips: "Main event time in Baltimore. UTA Championship on the line. And remember — earlier tonight Jarvis Valentine said two things: he’s the fifth man for Chris Ross at Survivor, and if he retains here he’ll defend against Ross at Season’s Beatings on December 28. Big promises… that only matter if he survives Jack Hunter tonight."
Mark Bravo: "That’s the trap, Johnny. Make too many plans for next month and you forget the guy tripping you in the hallway. Jack Hunter might be a questionable pick, but he’s stubborn, he’s shameless, and sometimes that’s kryptonite to a focused champion."
The house lights dip to a dingy amber and a distorted punk riff rips through the PA — fast, loud, a little off-time. A spray of cheap strobes pops at the entryway as Jack Hunter strides out like he just headlined the place he barely got booked on. He chews imaginary gum, throws an arms-wide “I’m back!” pose, and cups a hand to his ear for cheers that mostly boomerang into heckles.
John Phillips: "Here comes the challenger, Jack Hunter, returning to the UTA and calling his shot against the champion tonight."
Mark Bravo: "‘Calling his shot’ is generous, Johnny. He’s vibing like a cover band that knows the chorus and hums the verses."
Hunter stalks to the hardcam and mouths along to a line he clearly doesn’t know, then taps an imaginary wristwatch with a smirk. He paces the stage, points to a “WELCOME BACK” sign a fan clearly printed in marker ten minutes ago, and bangs his fist to his heart like it’s a movie trailer. The crowd answers with a mix of boos and ironic claps.
John Phillips: "Love him or hate him, he’s not short on confidence."
Mark Bravo: "Confidence, caffeine, and chaos. Let’s see if he packed ring skill in the same bag."
Down the ramp he goes, jawing with the front row. He shadowboxes a kid’s foam finger, then leans into a camera and says something about “streetfighting the truth outta champions,” lips outpacing his brain. He hops to the apron on a sprint… and his plant foot skitters. A quick windmill-arms save keeps him upright. He grins like it was on purpose and slaps the top rope twice to sell the bit.
John Phillips: "Nearly blew a tire on the entry lane there."
Mark Bravo: "No worries — he’ll tell you gravity slipped, not him."
He wipes his boots (late), slingshots in with a lazy half-twist, lands off-center, and pops to the second rope for a pose. He cups his ear again, tries to start a chant that dies on the third syllable, then points at the hardcam like he’s about to drop a famous catchphrase… stalls… smirks… and shrugs it off into a cocky middle-rope hop down.
John Phillips: "Jack Hunter has promised all week he’s going to ‘make it ugly’ in there."
Mark Bravo: "Good news — he’s already halfway there and the bell hasn’t rung."
He peels off his sleeveless tee and flings it toward a section that tosses it back like a hot potato. He paces a crooked figure-eight, testing the ropes, yanking a turnbuckle pad once for show. At ringside he mouths off at a fan in a Chris Ross shirt, then turns and points dead center — a jab at the champion’s nameplate waiting on the timekeeper’s table.
John Phillips: "The UTA Championship changes people — it either sharpens you or exposes you. We’re about to find out which way Jack Hunter breaks."
Mark Bravo: "If swagger counted on the scorecards, he’s up ten-eight already. Unfortunately for Jack, punches and pins get judged here."
Hunter settles into his corner, rolling his neck, shaking out his hands. He pounds his chest twice, nods like he’s manifesting destiny, and points to the stage with a big, theatrical sweep — the kind you do when you’re begging the spotlight to share credit. He’s ready. Or at least convinced he is.
The arena drops to blackout. A single white spotlight hits the stage grille. Then the snare cracks and the opening bars of “American Flags” by Tom MacDonald slam the silence. Red beams spear the rafters; blue lancers sweep the lower bowl; white strobes chase the ramp in a tight, marching rhythm.
The tron blooms with a slow ripple of the title plate, and the UTA Champion steps into the cone of light.
Jarvis Valentine wears a tailored, patriotic ring jacket — clean lines, matte finish, with a subtle chevron trim at the shoulders that suggests a Q, and ghost-stitched 17s you only catch on the close-up. The UTA Championship is clasped at his waist. He doesn’t posture; he takes one measured breath, sets his eyes on the ring, and starts the walk.
John Phillips: "The champion, Jarvis Valentine — and remember the stakes he set earlier: he’s riding with Chris Ross at Survivor and he promised Ross a title shot at Season’s Beatings… if he handles business right here, right now."
Mark Bravo: "It’s a long calendar between promises and payoffs. This is the page he has to turn first."
Each step down the ramp cues a tight pop of prismatic pyro at ankle height — more celebration than explosion, like handheld July sparks pacing him to ringside. Jarvis doesn’t look left or right; he keeps a steady cadence, right hand brushing the belt once, a ritual check.
At the foot of the ramp he pauses, angles to the hardcam, and lifts his off-hand just enough to trace a small, restrained Q. The lower bowl swells. He nods once, then circles to the steps.
On the apron, Jarvis wipes his boots, rests a palm on the top rope, and scans the hardcam with that even, reporter’s stare — the “ready” look. He ducks in between the ropes and paces a slow line to center.
He unbuckles the title and raises it high. The house lights respond — red, white, and blue arcs sweep a full 360 as the camera tracks from the main plate to his face. No roar, no shout — just a calm exhale and a nod as he hands the belt to the referee.
John Phillips: "Businesslike. Jarvis has turned this building into a courtroom — and he’s about to present evidence."
Mark Bravo: "He’d better, because the guy across from him is chaos wrapped in a smirk. Focus beats chaos… if you never look away."
Jarvis backs into his corner, fingers flexing once at his sides, eyes never leaving Jack Hunter. The music fades, the lights settle, and the referee steps in with the belt — the main event’s center of gravity — held between them.
John Phillips: "Bell’s about to ring — champion looks composed, Hunter looks… enthusiastic."
Mark Bravo: "Enthusiasm’s great until it meets gravity."
DING! DING! DING!
Jack Hunter sprints out of his corner throwing wide hands like he’s late to a bar fight. Jarvis Valentine takes a half step back, parries one, ducks the second, slides behind with a tight waistlock, and drags Hunter straight down to the canvas. No strike. No gloat. He pops up and gives Hunter room to stand.
John Phillips: "Jarvis starting with fundamentals — take the air out of the room, then breathe on his terms."
Collar-and-elbow. Hunter bull-rushes Jarvis to the buckles and buries a shoulder, then a second. He peels back to mug for the front row — too long. Jarvis pivots out along the top rope, catches the far wrist, and turns Hunter down into a grounded hammerlock. Smooth. He floats to a front headlock, posts a knee, and guides Hunter to the mat with pressure instead of force.
Mark Bravo: "Clinic. He’s not fighting Hunter’s match; he’s deleting it and writing his own."
Hunter worms a knee under, shoves to space, and swings a backfist on instinct. Jarvis slips inside, clamps a body lock, and German suplexes him high and tight. Bridge—
Ref: "One! Two—"
Kickout.
Hunter bails to the apron, shaking the cobwebs. He slingshots in with a lariat — not pretty, but it connects enough to stagger Jarvis. The challenger pounces with stomps and a quick cover — one-count only. He drags Jarvis up by the hair, points to the hardcam, and mouths something about ‘streetfighting the champ.’ Jarvis answers with a short forearm that stops the monologue cold.
John Phillips: "The champion won’t give him free beats — you want to talk, you do it on your own time."
Whip to the ropes. Jarvis ducks the return hook and snaps Hunter down with a DDT, planting him center ring. He floats immediately into a lateral press, forearm across the face for emphasis — two-count; Hunter jolts a shoulder up and rolls to his side, blinking at the lights.
Mark Bravo: "That’s Jarvis cashing in a tiny mistake for medium interest."
Jarvis stays attached — short-arm pull into a sidewalk slam, then he sits Hunter up and rakes a forearm across the back between the shoulders, measured and mean. He hauls Hunter vertical, snaps a back suplex, and holds the body cinched on landing to keep Hunter from bailing.
John Phillips: "Everything connected and centered. The opposite of Hunter’s chaos."
Hunter reaches blindly and grabs the bottom rope to force separation. The referee counts; Jarvis breaks on three and backs clean. Hunter uses the rope to pull up, waves Jarvis in like he wants a fistfight — then dives low for an ankle. Jarvis hip-sprawls, shoves him face-first to the mat, and rides a half-nelson to stack Hunter on his shoulders for a quick two before letting him slide out to the corner.
Mark Bravo: "That’s the worst feeling in the world — when a guy can pin you by accident because he’s so much better on purpose."
Hunter slaps his own chest to wake up, charges again — Jarvis sidesteps, guides him chest-first into the buckles, and German suplexes him a second time, this one releasing high. Hunter skids to his hip and rolls under the bottom rope to the apron on instinct, eyes wide.
John Phillips: "Hunter’s discovering that there’s a massive difference between wanting a fight and being in there with a champion."
Jarvis doesn’t chase to the outside. He waits, center ring, breathing even, finger and thumb rubbing together once like he’s counting beats. The referee starts the count on Hunter as the challenger clings to the rope and stares back in, reconsidering his plan.
Hunter re-enters on the eight-count, shaking out his arms, jaw set like he’s willed himself back into the fight. He feints low, then snaps a quick kick to the thigh and a pair of body shots — the first honest combo he’s landed.
John Phillips: "That’s cleaner from Jack — touch the leg, touch the ribs, make the big man breathe."
He hits the ropes for momentum — Jarvis steps in and clamps him mid-stride with a tight body lock, turns the hips, and deposits him with a simple, smothering takedown. No flourish. Jarvis floats to a front headlock and leans his weight through the jaw, making Hunter carry him.
Mark Bravo: "And there goes the oxygen. Jarvis doesn’t have to hurt you to beat you — he starves your plans."
Hunter posts a knee, tries to build to a base — Jarvis switches grips, bumps him to his knees, then yanks him up short-arm into a thudding sidewalk slam. Cover.
Ref: "One! Two—"
Kickout, but Hunter’s breath comes rough. He scrambles to the corner; Jarvis gives him three steps, then tracks in and folds him with short body shots — nothing wild, just professional pressure. He whips him corner-to-corner, follows with a clothesline from the corner that buckles Hunter’s legs, and keeps the wrist to whirl him into a neckbreaker slam.
John Phillips: "Every time Hunter finds daylight, Jarvis turns off the power."
Jarvis hooks a half-nelson and rolls Hunter to his belly, rides him for a second, then transitions up and DDTs him again — sharper, spiking the crown. He doesn’t even try a pin; he slides to Hunter’s back and drags him to center by the wrists to deny the ropes.
Mark Bravo: "Ring generalship 101 — make the square feel small for your opponent and huge for you."
Hunter throws a desperation elbow from his hip. Jarvis absorbs it, answers with a grinding forearm across the bridge of the nose and a knee pinned into Hunter’s ribs to keep him folded. The crowd alternates between a low buzz of appreciation and a rising chant for the champion.
Jarvis hauls him up, feeds him to the ropes — Hunter ducks a line and swings big on the return — Jarvis beats him to the point with a back suplex that leaves Hunter staring at the lights again.
John Phillips: "Jarvis is wrestling like a man with appointments on the calendar — handle tonight, live tomorrow."
Hunter rolls out to the apron on instinct. Jarvis stays patient, forces the count to four, then reaches over the middle rope, hooks the head, and slingshots him back in with a snap. He pops to his feet, takes the angle, and discus clotheslines Hunter so flush the challenger’s boots leave the canvas. Cover — deep hook.
Ref: "One! Two!—"
Hunter drapes a foot on the bottom rope by reflex. The ref sees it. Two-and-nine-tenths.
Mark Bravo: "Instinct saved him; intention didn’t."
Jarvis doesn’t argue. He peels Hunter up, cinches for the Patriot Plunge — the building lifts — but Hunter rakes the face on the scoop (referee screened on Jarvis’s back) and slips free to a schoolboy.
Ref: "One! Two—"
Kickout with authority. Jarvis rolls through, beats Hunter up first, and meets him with a forearm shiver that deadens the challenger’s legs. A short whip sends Hunter chest-first into buckles; Jarvis follows with a snap running bulldog out of the corner, face-planting him center ring.
John Phillips: "Every shortcut Jack tries gets turned into a straight line back to the canvas."
Jarvis takes a long breath, resets his stance, and motions Hunter up with a quiet hand. Hunter, glassy-eyed but stubborn, fights vertical. He swings… air. Jarvis ducks under, clamps the waist, and German suplexes him a third time — this one bridging deep.
Ref: "One! Two!—"
Hunter kicks free by sheer will and tumbles to his side, sucking wind.
Mark Bravo: "Credit where due — the man won’t die easy. But the math isn’t changing: control beats chaos, and Jarvis has all the control."
The champion rises without hurry, shadow of a nod to the hardcam — not a taunt, a tell. He reaches down, grips Hunter by the wrist, and begins to pull him into position again. The crowd knows the rhythm he’s setting. Jack Hunter can feel it too — and that’s the problem.
A ripple rolls through the lower bowl — fans stand, point, phones up. The hard camera wobbles off center as a pocket of commotion swells near the entryway.
John Phillips: "Uh… something’s happening in the aisle. We’ve got movement at the stage—"
Mark Bravo: "That’s not ‘something,’ Johnny. That’s trouble with a capital T."
The shot snaps to the ramp. Maxx Mayhem strides out first with a steel chair dangling from his fist, grin wide and feral. Fanning behind him in a loose, predatory line: Kaine, face paint cracked like old bone; Kaida Shizuka, eyes narrowed, hands loose and poised; Silas Grimm, slow and expressionless; and Malachi Cross, looming with that funeral-still posture.
John Phillips: "That’s the whole pack — Maxx Mayhem, Kaine, Kaida Shizuka, Silas Grimm, Malachi Cross — the team Chris Ross and Jarvis Valentine are slated to face next week at Survivor."
Mark Bravo: "Birthday party came early, and they brought folding metal as a gift."
In the ring, Jarvis Valentine stops mid-grip, releases Jack Hunter’s wrist, and turns square to the ramp. The champion’s chin lifts a hair — not a flinch, a read. He steps in front of Hunter’s prone form, center ring, hands low at his sides, stance balanced.
Mayhem barks a laugh and bounces the chair head off the rail once — clang — to spike the noise. Kaine throws a wide-armed “DEAD BUT ALIVE!” to the jeering fans. Kaida wipes her boot soles at the threshold out of reflex even as she stalks. Grimm just tilts his head, birdlike. Malachi stops dead-center of the ramp and crosses his arms over his chest, gaze fixed on Jarvis like a benediction before a burial.
John Phillips: "Security is moving — we’ve got stripes spilling from the back. The referee in the ring is waving them off, trying to keep this a championship match and nothing else."
Mark Bravo: "If I’m Jack Hunter, I pretend to be unconscious and hope they don’t notice me. If I’m Jarvis Valentine, I do exactly what he’s doing — pick the spot in the middle and make the ring your world."
Jarvis doesn’t take a step. He just tracks them with his eyes. The belt isn’t here — it’s at the timekeeper — but the posture says everything: you want it, come through me. Out of frame, Jack Hunter paws at the canvas, trying to rise on elbows, confused at the sudden tide turning away from him.
At the foot of the ramp, the pack fans out. Mayhem points the chair toward the ring like a conductor’s baton, mouthing off — unreadable under the din — then lifts it to rest across his shoulder. Kaine paces left, Kaida mirrors right, Grimm and Cross stay spine-straight in the middle, unblinking.
John Phillips: "This is psychological warfare on the champion’s time. The team of chaos just came to look Jarvis Valentine in the eye before Survivor."
Mark Bravo: "And the champ is giving them nothing to feed on. Stone face. Breath even. The man keeps his promises because he doesn’t waste his pulse on panic."
The ref leans through the ropes, shouting down to security; a few officials create a human line at the base of the ramp. The pack stops one step short — wolves at the treeline. In the ring, Jarvis finally glances over his shoulder just long enough to locate Jack Hunter… then turns back to the aisle, daring the next move.
Security floods the aisle, but Maxx Mayhem and his pack muscle straight through, peeling to all four sides of the ring. Malachi Cross posts at the hardcam side, arms folded like a midnight sermon. Kaida Shizuka claims the ramp side, eyes flat and hands poised. Silas Grimm slides to the timekeeper’s edge, head tilted, unreadable. Kaine stalks to the announce side beside Maxx, face paint cracked in the lights.
Jarvis Valentine turns a slow circle in the ring, setting his feet, palms low, ready to break either way. The referee and a half-dozen officials crowd the apron, pleading up at the wolves to back off.
John Phillips: "This is a championship match, and we’ve got a siege underway."
Mark Bravo: "And the king hasn’t blinked. He just squared his stance and started counting exits."
Maxx cackles and CLANG—smashes the chair against the apron lip. The ring shudders. He does it again. And again. Each shot a heartbeat faster, echoing through the bowl. Kaine leans in over the middle rope beside him and hisses, “DEAD BUT ALIVE!” to the front row. Kaida wipes her soles on the edge out of reflex, never breaking that calm stare. Grimm’s fingers tap the apron in a slow, ritual cadence.
Inside, Jarvis plants himself dead center, body half-turned so he can see Mayhem and Kaine to one side and feel the shadow of Malachi on the other. He flicks a glance to the prone Jack Hunter, then back to the perimeter — calculation without panic.
John Phillips: "Officials are begging them off — if this band spills a foot farther, we’re headed for a full-on incident."
Mark Bravo: "Maxx isn’t here to throw a punch; he’s here to steal breath. He’s drumming on Jarvis’s pulse with that chair."
Another CLANG. The chair-head skips a spark. Maxx throws his free hand wide, laughing, mouth running hot. Malachi lowers his chin and never moves. Kaida’s knuckles flex once. Grimm exhales through his nose, a ghost of pleasure at the tension.
Jarvis raises one hand — not high, not taunting — a small, steadying command to the chaos at every edge of the canvas. The building hums on a knife’s edge while security tries to push the line back a half-step and fails.
In the split-second Jarvis glances to the apron, Jack Hunter springs alive — he dives forward, snatches the tights at the hip, and yanks the champion into a tight schoolboy, stacking hips over shoulders.
John Phillips: "Schoolboy! Schoolboy! The challenger’s got him stacked—"
The referee hesitates a heartbeat, then drops.
Ref: "One! … Two! … Th—"
Jarvis explodes a shoulder at the exact beat the hand slaps for three. The crowd gasps, half rising; the referee waves it off immediately, two fingers up, emphatic.
Mark Bravo: "Oh man, that was a hair and a prayer! The champ kicked at two-point-nine-nine-nine, I swear!"
Outside, Maxx Mayhem doubles over laughing, chair bouncing on the apron with a clatter. Kaine pounds the ring skirt, howling “DEAD BUT ALIVE!” Kaida doesn’t move, but her eyes glitter. Malachi’s stare never changes. Grimm’s mouth twitches — almost a smile.
In the ring, Hunter pops up wild-eyed, both hands flashing three as he chases the referee into the near corner, pleading. Jarvis is already to a knee, jaw set, breathing controlled. He taps his chest once — calm — then rises, eyes on Hunter’s back.
John Phillips: "Jack nearly stole the UTA Championship in the most chaotic moment of the night!"
Mark Bravo: "And what did it cost him? He turned his back on a champion who doesn’t make the same mistake twice."
Hunter keeps arguing, pointing to the mat; the ref shakes his head, two fingers again. At the apron, Maxx clocks the scene and starts a slow, mocking golf clap with the chair, metal on palm, ting… ting… ting, daring Jarvis to break focus.
Jarvis doesn’t bite. He steps in behind Hunter, hooks the waist clean and tight—
—and the building swells, sensing the momentum tilt back to the champion as the wolves circle and the match teeters on a knife’s edge.
Jarvis tightens the grip—
—and Jack Hunter stomps straight down on the champion’s boot. Jarvis’ knee buckles a fraction. Jack peels free, wheels behind, clamps a waistlock of his own and leans back like he’s trying to deadlift a house.
John Phillips: "Counter by Hunter— he’s got the waist—"
With a ragged shout Jack heaves, hips through, and somehow German suplexes the champion. Jarvis lands high on the shoulders and rolls through to a hip. The crowd pops in shock; at ringside Maxx Mayhem throws his head back and cackles, chair thumping the apron like a drum.
Mark Bravo: "Stop the presses! Jack Hunter just hit a clean German on Jarvis Valentine and I think even he’s allergic to his own success!"
Jack sits up, eyes wide, hands in his hair like he just pulled a sword from a stone. He scrambles into a cover late—
Ref: "One! Two—"
Jarvis powers a shoulder free and turns to his side, already shrinking the space. Jack blinks at the ref, then at his own hands like he can’t believe they worked.
John Phillips: "Best shot of the night for the challenger, but the champion rolled his way to oxygen right on impact."
Hunter drags Jarvis up, swings a wild forearm— Jarvis ducks beneath, clamps a rear waist, and tries to lift; Jack kicks his legs and drops to a knee to block. He fires a back elbow that grazes, hits the ropes… and runs straight into a short lariat from Jarvis that flips him inside out.
Mark Bravo: "There’s the difference: Jack can spike a moment. Jarvis can end one."
Jarvis shakes out the stomped ankle, resets his base, and stalks. Outside, Mayhem is still giggling into the camera, pointing at Jack and pantomiming a “so close” pinch with his fingers. Kaine hammers the skirt, Kaida remains stone, Grimm and Malachi hold their posts like statues at a gate.
Back inside, Jarvis hauls Jack up by the wrist, whips him— pull-back neckbreaker slam drops the challenger flat. The champion doesn’t cover; he floats to side control, presses shoulder-to-jaw, and makes Jack carry weight while Jarvis breathes even and the crowd swells behind him.
John Phillips: "Jarvis Valentine letting the adrenaline dump on Hunter burn off in the worst way possible — with two hundred and seventy pounds pinning him to the truth."
Jack squirms to a knee; Jarvis guides him up with the hook still on… and the champion’s eyes flick, just once, to the chaos at the apron before squaring right back on the job in front of him.
Jarvis yanks Hunter up and walks him toward the ropes to funnel him into the corner — textbook champion’s geometry. He frames Jack’s head, looking to thread him through the middle strand…
…and that puts Jarvis’ back within arm’s length of the announce-side apron — right where Maxx Mayhem lurks.
John Phillips: "Careful, champ — that’s dangerous territory with Mayhem patrolling."
Mark Bravo: "Maxx plus metal equals misdemeanors waiting to happen."
Maxx cocks the chair and swings for Jarvis’ shoulder blades — a brutal, flat arc — and stops a hair shy of contact as the referee whirls, eyes bulging. The steel kisses nothing but air, but the whoosh and sudden shadow whip Jarvis’ instincts around for a half-beat.
John Phillips: "He didn’t touch him! He didn’t touch him — but he sure made him feel it!"
Mark Bravo: "That’s Maxx’s favorite hold: Attempted Assault, no-contact version."
Officials on the floor swarm Mayhem, shouting him back. Kaine barks “DEAD BUT ALIVE!” in their faces. Kaida doesn’t flinch, eyes locked on Jarvis. Malachi never moves. Grimm’s fingertips tap the apron twice, delighted at the tension.
Inside, Jarvis checks over his shoulder on reflex — just a flick — and Jack Hunter shoves him chest-first into the top rope, snapping his throat on the cable. Jarvis staggers, hand to neck—
—Hunter dives behind and rolls him up in a tight backslide!
Ref: "One! Two!—"
Jarvis powers through, muscles Hunter over and up, both men spilling to their knees. Hunter scrambles faster than he has all night, hits the ropes, and throws himself into a running knee that catches Jarvis on the chest and sends him reeling to a corner.
John Phillips: "That non-shot with the chair turned the champion’s head for a heartbeat — and Jack Hunter made it count."
Mark Bravo: "Almost only counts in horseshoes and heart attacks. Jarvis didn’t get hit, but he felt hit — and that’s enough to open a door."
Hunter climbs to the middle rope and rains down clumsy but committed punches — the crowd counts to five before Jarvis stiff-arms him in the hips and walks out, letting Jack face-bounce to the canvas. The champion coughs once, working air back through his throat, eyes narrowing as he resets his base.
At ringside, Maxx spreads his arms like a proud dad at a science fair, mouthing “So—close,” while the ref on the floor jabs a finger at him: “One more and you’re gone.” Maxx curtsies with the chair, mock-innocent, then sets it gently against the barricade like a museum piece he’d never dream of touching.
Back inside, Jarvis rolls his shoulders, checks the ropes once more — and then his eyes go flat and focused. The moment passed. The champion is back on task.
The lower bowl detonates into a roar that drowns the commentary headsets. Cameras whip to the stage just as a black-and-scarlet blur barrels through the curtain—
Chris Ross, full sprint, jaw set, storms down the ramp. Behind him in staggered formation: El Fantasma Oscuro I and II in mirrored masks, Madman Szalinski stalking with that wolfish grin, and Jaxson Ryder pounding a taped fist into his palm. Security parts like a rip current as they charge.
John Phillips: "Reinforcements! Chris Ross and company are here— El Fantasma Oscuro, Madman Szalinski, Jaxson Ryder!"
Mark Bravo: "From hostage situation to standoff in ten seconds flat."
Maxx Mayhem pops up on the apron with the chair raised like a trophy, laughing. Kaine slaps the apron and shouts “DEAD BUT ALIVE!” Kaida Shizuka plants her heels, unmoved. Silas Grimm tilts his head with that dead-eyed calm. Malachi Cross uncrosses his arms, gaze never leaving Jarvis Valentine.
Ross slides in under the bottom rope; Jarvis squares beside him. El Fantasma I and II slip through on opposite sides, Szalinski steps over the middle rope, and Ryder claims the near corner. The ring fills with purpose.
The referee takes one look at ten fighters coiled to detonate and makes the only call left—he waves his arms in an X, signaling the timekeeper.
DING! DING! DING!
John Phillips: "He’s thrown it out! The main event is a no-contest!"
Mark Bravo: "Smart. We were a half-breath from a riot."
Team Ross fans out inside the ropes, forming a tight circle — Jarvis, Ross, Szalinski, El Fantasma I and II, and Ryder — each man posted to a side, hands up, daring the pack to try it.
Outside, Team Mayhem mirrors them: Maxx on the announce side with the chair, Kaine pacing at his shoulder; Kaida on the ramp edge, body bladed; Grimm dead-center at the timekeeper’s table; Malachi at hardcam side, statuesque. They creep in a slow orbit, testing angles, never breaking the ring of eyes staring back.
Officials, referees, and security pour in to build a shaky human fence between the two lines. Fingers point, chins lift, words are thrown like knives — but no one blinks first.
John Phillips: "This is the picture of Survivor a week early — five on five, the temperature at a boil, and nobody giving an inch."
Mark Bravo: "Tonight the fuse burned to the knot. Next week, somebody lights it."
Maxx taps the chair twice to the apron — clang, clang — and grins. Inside, Jarvis doesn’t flinch. Ross leans forward on the balls of his feet, ready. The camera floats over the tableau: two armies, one line of canvas, and a promise written in the noise.
Jack Hunter pops up red-faced, jabbing a finger at the referee and shouting that he “had him beat.” The official doesn’t argue — he just points to the chaos on every side of the ring: two full teams, security, and a steel chair glinting under the lights.
John Phillips: "The ref made the safe call and he’s not walking it back — look at the perimeter. This was seconds from breaking wide open."
Mark Bravo: "Jack’s yelling at a thunderstorm for raining. Pick your battles, kid."
Inside the ropes, Jarvis Valentine, Chris Ross, Madman Szalinski, El Fantasma Oscuro I and II, and Jaxson Ryder hold their circle tight, each man leaning over the ropes and waving Mayhem’s crew on. “Come on!” “Bring it!” The Baltimore crowd surges with them.
Maxx Mayhem’s smile never fades. He raises one finger… then draws a slow circle in the air.
Outside, Kaine peels back from the announce side, still barking “DEAD BUT ALIVE!” Kaida Shizuka steps clean to the center of the ramp, never taking her eyes off the ring. Silas Grimm slides away from the timekeeper’s table like a shadow shrinking with the light. Malachi Cross backs in that eerie, patient cadence. The pack reforms on the ramp under Maxx’s signal.
John Phillips: "They’re not taking the bait. Mayhem’s calling the retreat."
Mark Bravo: "Not retreat — rehearsal. He just made sure everyone here tasted tomorrow before it gets served at Survivor."
The two armies hold their distance — Team Ross inside the ropes, Team Mayhem halfway up the ramp — a gulf of officials and security between them. Maxx taps the chair twice to his shoulder, mouths “Next week,” and laughs loud enough that the hardcam catches every syllable.
Jarvis stands at the front rope, chin high, unmoving. Ross paces like a caged dog, jaw clenched. Szalinski points to his temple. El Fantasma I and II throw synchronized, taunting beckons. Ryder pounds a fist to his chest and then points dead at Maxx.
John Phillips: "No clash tonight — just a message. The mind games have already begun."
Mark Bravo: "And next week at Survivor, those minds come with fists."
Team Mayhem disappears through the curtain one by one, Maxx last, walking backward with that same feral grin. Inside, the champions and their allies lower their guard, but not their eyes. The camera lingers on the split-screen of faces — defiance below, derision above — before fading to the event graphic for Survivor.