Vance Stone
Gender: Male
Billed From: Houston, TX
Height: 6'8"
Weight: 295lbs
Vance Stone was the pride of Houston and a decorated Navy SEAL. That ended when he was framed for a failed extraction in a country that "doesn't exist." Instead of a trial, he was erased. After five years in a black-site prison, he broke out. He doesn't care about championships; he considers the wrestling ring the only place where he can legally hurt the corporate interests that sold him out. He has the "Hellfire and Brimstone" aura of a man who has seen the worst of humanity, fueled by a "DTA" (Don't Trust Anybody) Texas attitude.
No allies recorded.
No rivals recorded.
This character has not appeared in any events yet.
No promos have been posted by this character.
| Wins | Losses | No Contest | Total Matches | Win % | Loss % |
|---|---|---|---|---|---|
| 0 | 0 | 0 | 0 | 0% | 0% |
This character has never held a title.
No awards recorded for this character.
| Entrance Description | The lights go black. A single red searchlight sweeps the crowd. Vance walks out slowly, wearing a tattered tactical vest and a matte black ballistic face mask. He doesn't play to the crowd. He marches to the ring with a cold, mechanical focus. At the apron, he rips off the mask, reveals a cold stare, and "talks trash" to the camera under his breath. |
|---|---|
| Entrance Music | A heavy, distorted industrial remix of "I'm Broken" by Pantera. |
| Move #1 | Corner Trapped Boots: Booting the opponent’s face into the turnbuckle repeatedly. |
| Move #2 | Lou Thesz Press & Punches: (The Austin classic, but with Kane-like heavy-handed strikes). |
| Move #3 | Sidewalk Slam: Delivered with high impact. |
| Move #4 | Military Press into a Flapjack. |
| Move #5 | Cravate Knee Strikes: Brutal, tactical knees to the face. |
| Special Move #1 | The Spinebuster: Snapping them in half like a dry twig. |
| Special Move #2 | The Texas Uppercut: A throat-thrust/uppercut hybrid. |
| Special Move #3 | — |
| Finisher Setup Move | — |
| Finisher Setup Desc | — |
| Basic Finisher | The Kill-Switch |
| Basic Finisher Desc | — |
| Submission Finisher | — |
| Submission Finisher Desc | — |
| In Ring Personality | The "Silent Storm" His personality is defined by a lack of theatricality. He is a man who has seen the worst of the world and has no time for the "pageantry" of pro wrestling. The Thousand-Yard Stare: During the match, Vance rarely blinks. He maintains a cold, predatory gaze on his opponent’s eyes. He isn't angry; he is focused. Verbal Intimidation: He doesn't scream. If he speaks, it’s a low, gravelly mutter directed at the opponent while they are down—telling them to "stay down" or calling them "expendable." Disdain for Authority: If the referee gets too close or starts a count, Vance doesn't argue. He just stares the ref down with a look that says, "You’re in my way." It creates a constant tension that he might snap and attack the official at any moment. Clinical Violence: He treats a match like a job. When he hits a big move, he doesn't celebrate. He looks at his hands or adjusts his tactical vest as if he’s simply checking his equipment after a successful breach. Post-Match Isolation: Once the bell rings and the "objective" is met, he leaves. He doesn't wait for the announcer to raise his hand. He grabs his vest, rolls under the bottom rope, and vanishes into the dark, leaving the "civilians" behind to process what they just saw. |
| In Ring Tactics | The "Strategic Neutralization" Vance doesn't just "wrestle"; he executes a tactical plan designed to break an opponent's will and physical capability. Zone Control: He stays in the center of the ring, forcing opponents to come to him. Like a sniper, he waits for them to enter his "kill zone" before unleashing a high-impact strike. Respiratory Warfare: He focuses heavily on the throat and chest. Moves like the Texas Uppercut and the Cravate Knee Strikes aren't just for damage; they are designed to leave the opponent gasping for air, making them slower and more prone to mistakes. The "Mudhole" Mentality: When he gets an opponent in the corner, he adopts the Austin-style aggression. He will stomp them until the referee reaches a count of four, using every legal second to inflict maximum "non-sanctioned" pain. No-Sell Recovery: If he takes a big move, he doesn't roll around. He stays flat for a second, then sits up (Kane style) or simply rolls to his feet and cracks his neck. This psychological tactic tells the opponent that their best shot wasn't enough. Efficiency of Motion: He never does "extra" flips or taunts. If he knocks an opponent down, he is already positioning himself for the next strike or the Set up to Finisher. |
| Always Do | Always Targets the Throat: Taking from the Kane influence, his "Texas Uppercut" and throat-thrusts are his go-to strikes. He wants to take his opponent's air away immediately. Always Stares Down the Hard Camera: After a big move, he doesn't look at the crowd; he looks into the camera lens. It’s a message to the "Machine" watching at home, not the fans in the seats. Always Rolls Under the Bottom Rope: He doesn't hop over the top or use the steps. He enters and exits through the bottom rope—efficient, tactical, and low to the ground. Always Uses "Heavy Hands": Every punch or forearm should look like it weighs 50 pounds. He doesn't do "speed" strikes; he does "impact" strikes. |
| Never Do | Never Plays to the Crowd: He never asks for a "What?!" chant, he never does a "clap along," and he never points to the fans. To him, the fans are just civilian witnesses. Never Shows Pain: Like Kane, if he gets hit with a big move, he might stagger, but he’ll simply crack his neck and stare. He won't "sell" with dramatic facial expressions; he treats pain like a tactical annoyance. Never Uses Technical Pinning Combinations: You will never see Vance Stone do a "Small Package" or a "Backslide." He pins people by putting a heavy boot on their chest or by simply collapsing his weight onto them after a finisher. Never Celebrates with Titles: If he wins a belt, he doesn't hoist it over his head or kiss it. He drags it behind him like a piece of salvaged equipment or throws it over his shoulder like a rucksack. |
| Writer Notes | — |